Suvorі ta stylish: vistavkovy project Odessa art

We need to kill everything, abi want to have a wider coronavirus of COVID-19, also UNTIL 22 HERE in Odessa Art Service has been RECEIVED VIDVIDUVACHIV, and all of our supplies have been transferred or transferred. Mi, as early as possible, zakimєmo zberіgati repose and ask for your help, please be advised of the public, and for any symptoms of the disease, you’ll get bogged down. Check you for a show, if the situation is stable        _____________________________________________________________              “Suvorі ta stylishi” - the main whistleblower project of Odessa art 2020 rock. Win є to the logical promotions of the “Exhumatsiya” exhibition (2018-2019), I know that I saw the mystery of the socialist realism of the Odessa art gallery.              "Exhumation" ended with a kind of appearance by way of socialist realism in the "mysticism of the League", of the second kind of ideological and natural dogmas of the steel age. So far, the so-called “dignity” came to Zmina, the rehab of the everyday and the everyday, degeneration of the character, who ceases to lose the collective heroism and break through private experiences. The “Mystery of the League” defied the image of the “alarm clock of the ideal light” to the right of the people to be especially happy, as in Stalin’s era, it was respected by “welfare”. Vono became a crossroads in the history of socialist realism to the “modern style” (terminology of Oleksandr Kamensky), becoming the dominant trend in the 1960s rocky mysteries.A newer generation of artists - “sternostiltsіv” - has imagined in a new way usviddomiti dіysnіst. Social realism ofitso bulo is stunned “not by style, by the prote method”, but it’s been easy for you to play in the halls of art skills and turn to interrupt traditional modernism and the forefront - so much so much. Artists indulge in the transcendence of laconicism and concentration, the importance of first-hand large forms, and the variety of graphic power and the great color squares. The stench often wrap oneself up to the lip for an extra help, to the masquerade farby, the Cezanist traditions of the Jack of Diamonds, and the reception of a monumental mystery.              The new ruch is presented in whistle with the most important robots of the “modern style”: Viktor Ivanov, Pyotr Osovskiy, Mikoli Andronov and those close to them, who, however, collapsed with their nobility, Andriya Milnikova, Dmitriy Zhilіnsky.              The Ukrainian “suvoril style” is represented in whistles by the robots of Tetyany Yablonsky with folklore motifs, by the robot of Mikhail Antonchik “My readers and Oleva and Petritsky”, who declare their offensive to enter the Ukrainian avant-garde.Big half of the representations at the exhibition imen - the main art of Odessa painting. On the other side of the big part of Moscow “suvorostiltsiv”, about which you can say “artists without Paradise”, here we joked and found our own local Paradise in the hostile world of childhood, at the same time I couldn’t lose my head. The stinks zerobili the new reading of the coloristic and poetic slaughter of the Pivdenno-Ruska school, as well as the additional Odessa “Independent” schools, little was known about some of these girls. Nayyaskravisha for all of these tendencies was manifested in the creative performances of the vistavists of Oleksandr Atsmanchuk, Yuriy Єgorov, Vyacheslav Tokarєv, Volodymyr Vlasov, Oleksiya Popov, Mikhail Adodshnloshovloshovloshovlnogo Bohloshovnloshina Itself for Odessa artists of the 60s, a more new concept - “suvorі ta stylish”;              I’m going to leave the exhibition with a “modern style” tag - dated 1956, at the time of the cult of Stalin’s special cult, until the mid-70s, a busy Brezhnev hour. In the 70s, there’s even a quiet German happy Ukrainian mystery - the baguy okremich vipadkiv. I non-conformism, which is a win-win at Tsoka Roki, is a whole vi іd iz from the "very old style", or even a hell of a lot.The artistic crafts of the Odessa “those and the stylish” became the right point and gave the artists artists of the coming generation, including the number of non-conformist ones. In addition, early robots Lyudmila Yastreb, Viktor Marinyuk, Valeriy Basants, Volodimir Strelnikov, Valentin Khrushch, Moisei Chereshny, Lyusin Dulfan, Yury Kovalenka also showed the same robots.              All the artists zgodom vidkrili new side of Odessa mystery. The axis for which you should talk about accuracy is to show you what literally stood in front of you.               De: Odessa Art Museum (vul. Sofievska, 5a)        Koli: vіdkrittya - 13 birch trees, at Pyatnitsyu, about 3 p.m., a show of trivatimes from 13 birch trees to a grass 22 grass 2020 rooku        Entrance to the entrance              The exhibition was organized for the performance of the Odessa Head of Gennady Trukhanov.              Partners of the exhibition:       Ukrainian Institute of National Memory       Museum of Modern Art of Odessa       Nt-art gallery       Odessa Art College imMBGrekova              At the exhibition, robots are being displayed from the Odessa Museum of Art, a collection of the Museum of Contemporary Art of Odessa and the Odessa Art College. M.B. Grekov, as well as a collection of homelands of Wernick, Virodovih-Vilshtein, Mikhailov-Bozhіy, Muzalovih, Shevchukіv, Shcherbini and a collection of Valery Basantsya, Anatoly Gankevich, Viktor Marinyuk, Oleksandra Roitburduka, Oleksandra Roitburuka.              More about the exhibition: https://www.ofam.org.ua/severeandstylish              Until zustrіchі in the museum!