Opera by Joakkino Rossini "The Barber of Sevilsky"

TRIVALIST 2 years (without intermissions) Joacchino Rossini Libreto Cesare Sterbini based on the same comedy by P'ur Auguste Caron de Beaumarchais Rest for the brain and soul for girls and great-grandchildren to this day: only he, the aeolian Rossini, could orchestrate the smile of Beaumarchais - Igor Severyanin"The Barber of Sevilla" - an opera-buffa behind a French p'зsoyu - one quietly, about how Stendal spoke, but it is necessary to close your eyes at all the troubles and "just die away to the smiles and satisfaction". Joakkino Rossin wrote the opera "The Barber of Sevilla" in a strikingly short line - in twenty days (the opera was written close to two times). Above the zhodnaya of operas in Russia, it has not been done with such inclinations, like over cimat. For his special knowledge, he “made music skrіz: if he was walking, if he was, if he was standing, lying, in a word - permanently”. The opera Bula was staged for the first time on the stage of the Roman theater "Argentina" on the 20th of 1816 fierce rock. Vіm, "The Barber of Sevilsky" is not the first name of the whole opera, I hope it is based on the same passage P "by Auguste Caron de Beaumarchais. A collection of Rossini's operas was called "Almaviva, or Marna Overhorn". The reason for the re-name of the opera was those who “The Barber of Sevilsky”, who owed Giovanna Paizello's music for thirty times more. Ale, unaffected by the change, the henchmen of the old meter ruled gamir at the premiere of the Russian opera and booed. They said that Russia was stealthily leaving the theater. The nedobrozichlivtsy were helped by the low vipadkovosti, who were trapped before an hour of the performance: the actor, who played the role of Basilio, fell and got hurt; Almavi had a string snapped on the guitar for an hour; on the stage in a very close moment, a cat appeared. On the offensive evening, in front of the ochikuvannyam, the hall of the renovations. Gladachi came to grow up, maybe, in the hope, that the cascade of vipadosity will repeat itself again. Ale the opera has turned out to be the enemy, it has pissed everyone off. The publication of the applause of the skin ariya has been loaded! "My" Cyrulnik "with a skin day cries out with more and more success, - wrote Russia, - and see the newest opponents of the new school of minds so slow, as the smell of mimicry will fix more and more loving flapper sprites". "The Barber of Sevils" poklav the ear of the European glory of Russia. The first production in Russia was staged in 1821 in Odessa, and it was in the Italian language. The offensive rock "The Barber of Sevilsky" was applauded in Petersburg. Before the speech, the scene at the opera's finale was concluded - a sextet with a chorus “Di si felise innesto” (“Turbots and vyvilyuvannya rose, not yet dim”) - inspired by the Russian folk song “Ah, now the city of the city”. Її motives, zychayno, change, becoming a rhythm, but we can recognize us. Verdi wrote: "... I am all the same, but" The Barber of Sevilla "for its wealth of ideas, for the lucidity of comic sounding and the truth of recitation and for the most beautiful from the best operas-buffa."Members of the production group DIRIGENTI: Chief conductor of the theater V'yacheslav Chernukho-Volich DIRECTION: Tamara Forsyuk ARTIST-POSTNESS: Honored Artist of Ukraine Natalia Bevzenko-Zinkina CHOIRMASTER-CHAIRMAN: merit of the Ukrainian miscreants Leonid Butenko CHORMAISTER: Valeriy Regrut